On reading in 2009

It's been a funny old year for me, reading-wise and otherwise. I don't even know how many books I read in total, because my Books Read Since 2006 list was lost in the (Un)Great Hard Drive Kaputment in late June. I'd wager I've read about 100 books in total though, and I'm quite pleased with the fact that I've read 53 of them since my baby was born in May. Many of these books have frustrated me, however. Something has changed in the way I read-- either the books have gotten worse, or I've become more demanding/less patient. This has been ongoing since I first got pregnant, and all the books I read in the first trimester made me nauseous. Since then, I've had no time for a book that does poorly what it has set out to do.

I think there's a connection in that lately, most of my literary fiction (apart from big name authors) comes from small presses. Last year, I made an "indie list", that was sort of an off-the-beaten-track best ofs, but this year small press books make up half of the books I liked best. My impression is that the big publishing houses have been focusing less on literary fiction, in producing it and promoting it. And perhaps this been an opportunity for small presses to pick up their slack, or at least receive more focus on the wonderful books they've been publishing all along. It just seems remarkably clear to me for whom the bottom line is something other than profit.

I've also seen less incredibly polished popular fiction with a literary bent-- it's been derided, but last year I loved The Guernsey Literary and Potato Peel Pie Society, or The Flying Troutmans and American Wife which managed to be delicious and literary at the very same time. The pop/lit. divide has seemed wider lately, much to the detriment of popular fiction in general.

Anyway, where have I discovered the books I liked best this year? I was been coaxed to read many after newspaper reviews-- Caroline Adderson on Lisa Moore, and Lisa Moore on Lorrie Moore in particular, neither of which disappointed. And then there are bloggers: I read The Spare Room after DoveGreyReader's review, and I read The Incident Report because of Melanie's review (which was before its Giller longlisting). I read The Children's Book after Steph wrote about it at Crooked House. The Lydia Peelle book after Lauren Groff recommended it on her blog. I only read The English Stories because I wanted to buy something from Biblioasis at Eden Mills, and that goes to show you never know, because it was one of my favourite books all year. Apart from that, my point is that bloggers sell books, oh, yes they do!

Surprising: so many short story collections here. I root for the short story, but I adore novels, but maybe short stories have better suited my focus lately. Unsurprising: all my favourite books were written by women. This doesn't mean the men are rubbish, but I think I've only read two novels by men in the last six months, so better broaden my focus in the new year.

This list doesn't mention The Girls Who Saw Everything by Sean Dixon (which is called The Last Days of the Lacuna Cabal in foreign lands like America). Read my post on it: the book was absolute magic and blew me away, but alas, as it was not published this year, it doesn't fit the bill. You should read it anyway, though.

My other favourite discovery was Barbara Pym. I can't imagine what my life would have been had I not picked up Excellent Women at the Vic Book Sale and discovered how incredible her novels are. They're so funny, smart and modern. I just finished read my second, No Fond Return of Love, and I liked it even better than Excellent Women. But I'll be writing more about that later.

Pickle Me This Top Books of 2009

• The Believers by Zoe Heller. From my review: "In The Believers, Heller illuminates the faith necessary to try to live a life without faith. The way in which politics and even family can become a surrogate religion, filling up the void. And also the faith required to sustain a marriage, to raise a child, to save the world, and the strange nature of the kind of belief in that such things are even possible"
• Delicate, Edible Birds by Lauren Groff. From my review: "I will say, however, that this is a book worth judging by its cover, for the reader will not be disappointed. The cover's bird motif appearing throughout the collection, joining these stories otherwise so disparate by style, narration, location, characterization. But the birds are there, and so is water, bodies of big and small, and swimmers, and poolside loungers, and drownings and rain. So that to ponder all these stories together after the fact is to draw surprising connections, new conclusions. Here are nine stories that belong together, but not in ways that one might suspect."
• The Spare Room by Helen Garner. From my review: "This is a perfect novel. It's also quite short, but... there is substance, layers and layers of. At its root about friendship, which Garner refers to here as a "long conversation". As well as family, and belonging, and imposition, understanding, and proprietorship of each other and ourselves. Garner's narrator fascinating to consider, her motivations, what her words and actions reveal. This novel is quiet in its force, and enormous for the space it gives to ponder."
• The Children's Book by A.S. Byatt. From my review: "The Children's Book is a big book in which time passes quickly, and the reading is gripping. Similarities to Byatt's best-known work Possession have been made for good reason, though this doesn't mean the author is simply replaying an old game. She has embarked upon something sprawling here-- a story about the invention of childhood, about artistry and artfulness, about motherhood, and the status of women, all with an enormous cast of characters, most of whom are made to be tremendously alive. The novel also stands up as historical fiction, though I don't like to use that term about books I like and I loved this one-- there is nothing dusty, sepia-toned about it. The Children's Book is decidedly vivid and surprising."
• February by Lisa Moore. From my review: "February is a novel about moving forward, about never letting go and doing the right thing. Its characters are vivid and wonderful, their thoughts positively "thought-like"-- twisting, interrupted, irrational-- as Moore's style continues on in the same surprising vein, her technical innovation perfectly realized. The story is as funny as it is sad, and that sadness has meaning beyond itself. It's a rare thing-- a perfect book. I would call it one of the best books published in Canada this year, but I'm taking my chances on it being one of the best books from anywhere"
• The Incident Report by Martha Baillie. From my review: "Miriam's strait-laced recounting of library incidents is very often amusing, but also poignant, this underlined by Baillie's exquisite prose. The every-day becomes captured for its singular moments, its eccentric characters, and the library as a marvelous backdrop. Baillie goes further, however, with excellent plotting, this potentially gimmicky book distinctly a novel, with romance, mystery, suspense, darkness, and tragedy (oh god, the gasp I uttered near the end, I could not believe it, I wanted to turn back the pages and have it happen a different way, but alas, there is only going forward)."
  
• The Gate at the Stairs by Lorrie Moore. From my review: "Yesterday I went into the bookstore to check out Lorrie Moore's Birds of America. Another shopper saw me reading the back and said, "That book is amazing. Buy it." I said, "I'm going to. I'm reading her new book right now." She said, "That's just what I'm here to get," and I pointed her towards its spot on the new hardcovers table. "It's fantastic," I said, because flawed or not, it is. And that is the story of how I came to join the legions of those in love with Lorrie Moore."
• The English Stories by Cynthia Flood. From my review: "With mere words (though there is nothing mere about her words), Flood has recreated a time and a place and an atmosphere so steeped, I could trace my finger along the patterns in the wallpaper (and she doesn't even mention the wallpaper). These stories are challenging, tricky, ripe with allusionary gateways to the wider world of literature. And so rewarding, for the richness of character, the intricate detail, and careful plotting that holds just enough back, keeping us alert and anticipating what's around every next turn."
• What Boys Like by Amy Jones. From my review: "And how engaging is that, I ask? To read so far into a story, that it wraps itself around me, and then I get all wrapped up in it too, and the whole thing is an untenable knot? What Boys Like is a lot like its cover. Though its tone is not upbeat, the colours are so vivid that you'd never find these stories bleak. And yes, the girls are often steeley-eyed, dangerous, tough as nails..."
• Reasons for and Advantages of Breathing by Lydia Peelle. From my review: "Where Peelle is like O'Connor, however, is in these moments in which she digs in her knife and twists it, and then you realize that the story you've been reading is darker, its people more awful, what has happened is even more tragic than you've ever imagined. I mentioned the end of "Kidding Season" already, and can't get explicit or I'll ruin it, but Peelle manages to synchronize her readers' awareness of dawning horror with that of her protagonist in a way that is absolutely masterful. "Phantom Pain" has a similar impact. Everything is loaded."
  

Top Eleven Indie Picks of 2008

My favourite books by independent publishers this year in no particular order (except perhaps a bit chronological). And my list's explanation.

• Pulpy and Midge by Jessica Westhead (Coach House)
• Things Go Flying by Shari Lepena (Brindle and Glass)
• Stunt by Claudia Dey (Coach House)
• Flirt by Lorna Jackson (Biblioasis)
• Skim by Mariko Tamaki and Jillian Tamaki (Groundwood Books)
• Girls Fall Down by Maggie Helwig (Coach House)
• Silent Girl by Tricia Dower (Inanna)
• Once by Rebecca Rosenblum (Biblioasis)
• Entitlement by Jonathan Bennett (ECW)
• What It Feels Like for a Girl by Jennica Harper (Anvil Press)
• The Myth of the Simple Machines by Laurel Snyder (No Tell Books)

Top Eleven Picks of 2008

That any book was reviewed here during this past year means that I liked it enough to recommend it to you, though my very favourites are listed here. And of that crop, I've narrowed to eleven for the sake of conciseness. My top eleven of 2008 as follows:

• When Will There Be Good News? by Kate Atkinson: "If this was the first book by Atkinson you'd ever encountered, you'd forget genre and just fall in love with it. You would fall in love with her."

• American Wife by Curtis Sittenfeld: "...this a marvelous achievement of Sittenfeld's work, that she makes love for a George Bush-y character seem plausible. Not that it's all sentimental, and throughout the book Alice herself is at times downright unsympathetic, but these aren't caricatures, or even 'characters'; they're people and they're real."

• The Flying Troutmans by Miriam Toews: "...the book is a joy to read, however disturbing and awful. The Flying Troutmans is touching but without compromise, and only a really great writer could do that."

• The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer: "That this delightful book was brought to me, full of all the things I like the best-- an epistolary novel, begun on the basis of a used book's passage from one reader to another, full of wonderful literary references, even a bookish mystery of sorts, plus a reference to the joys of peering in windows, and a teapot that's used as a weapon."

• Girl Meets Boy by Ali Smith: "But Smith's language, of course, is always her most marvelous trick. Amidst all the stuff, rendering her thesis quite simple: that in a world where things are changeable, things can change. Innumerable doors swinging open upon this promise, that progress is a way forward after all."

• Novel About My Wife by Emily Perkins: "Perkins has created a puzzle of a puzzle. I read this book in anticipation of the ending the first time, and then the second time I pored over the text in search of clues. But both times I was entirely caught up in both this extraordinary story and its more ordinary concerns."

• The Girl in Saskatoon by Sharon Butala: "Thriller, novel, historical record, reminiscence, elegy, etc., all contained within one mesmerizingly readable package."

• The Letter Opener by Kyo Maclear: "...this is rumination after all. The Letter Opener is primarily the story of Naiko's own self-discovery, as she realizes her constructions of others through their objects tells more about her own self than anybody else's. And this story is fascinatingly beautiful, a satisfying read."

• Nikolski by Nicolas Dickner, translated from French by Lazer Lederhendler: "'Nothing is perfect,' so goes the next line in the story, but I really might put forth that Nikolski is... Dickner has married cleverness with depth, sustaining his ideas with a tireless deftness."

• Arlington Park by Rachel Cusk: "So I was prepared for something Woolfian then, which in my experience has always required a different kind of reading. One in which you let the prose lead you where it may, but paying utmost attention. It's a significant cerebral investment, and necessitates a period of adjustment upon returning to the real world once again."

• The Monsters of Templeton by Lauren Groff: "With a spirit threatening to fade when the monster dies, when all seems bleakest, but there is so much hope, and such a gorgeous ending: 'and it is good.' I finished reading this last night near 1am, and couldn't sleep for a long time, just thinking about it, and smiling."

Pickle Me This Picks of '07

These are my picks, my favourites, which is why I don't feel bad that so few were authored by men (though does it count that another author has a man's name?). I don't claim that they're the Best books of 2007 (though they might be) but just my best. I did try to read more books by men this year, by resolution, as I'd so been neglecting that poor gender. And I'm better for it, but still the books women write seem to be the ones I like the very best, however diverse they might be amongst themselves. What follows are such books, listed in the order in which I encountered them.

New Fiction

• Afterwards by Rachel Seiffert (From my review: "a startlingly original novel... What do you do with the past once it's over?")
• The Lizard Cage by Karen Connelly (From my review: "her achievement is creating a novel so truly beautiful out of some of the ugliest stuff the world has on offer.")
• Certainty by Madeleine Thien (From my review: "...ultimately it is the sum of these stories which provides the "certainty" amidst uncertainty: meaning is evident, and beauty abounds.")
• The Ladies' Lending Library by Janice Kulyk Keefer (From my review: "Here is a summer book through and through, all the while substantial, well-written.")
• Let the Northern Lights Erase Your Name by Vendela Vida (From my post-review: "has been positively haunting me since I read it.")
• Rosie Little's Cautionary Tales for Girls by Danielle Wood (From my review: " Rosie Little is "the next Bridget Jones" for which we've been longing for ten years.")
• Late Nights on Air by Elizabeth Hay (From my review: "This book feels too whole to have been created... [A]n entity unto itself, its own world, and a truly magnificent literary achievement.")
• Remembering the Bones by Frances Itani (From my review: "The Stone Diaries without the ghost, but also something original, beautiful, gentle and lovely in its own right.")
• The Frozen Thames by Helen Humphreys (From my review: "The Thames freezing is a perfect example of an extraordinary moment in time... and Humphreys links these moments together in this small beautiful book.")
• The Great Man by Kate Christensen (From my review: "There is joy here, and there's goodness, and the whole wide world, which is certainly something for a book.")

New Non-Fiction

• Reading Like a Writer by Francine Prose
• Decca: The Letters of Jessica Mitford by Jessica Mitford
• The Library at Night by Alberto Manguel
• Cake or Death by Heather Mallick
• 28 Stories of AIDS in Africa by Stephanie Nolen
• A Memoir of Friendship: Shields and Howard by Blanche and Allison Howard (eds.)
• Animal, Vegetable, Miracle by Barbara Kingsolver
• Beijing Confidential by Jan Wong
• Ambivalence by Jonathan Garfinkel

Not New but Glad I Discovered

• Human Croquet by Kate Atkinson
• Things Fall Apart by Chinua Achebe
• Saturday Night and Sunday Morning by Alan Sillitoe
• Happy All the Time by Laurie Colwin
• Middlemarch by George Eliot
• 84 Charing Cross Road by Helene Hanff

Pickle Me This Picks of '06

What you've all been waiting for, to enhance your reading lists for '07, or to help you get that Christmas shopping done.

New(ish) Fiction Picks
Sweetness in the Belly by Camilla Gibb
On Beauty by Zadie Smith
Alligator by Lisa Moore
The Accidental by Ali Smith
Mean Boy by Lynn Coady
When I Was Young and In My Prime by Alayna Munce
Saturday by Ian Mcewan
The Emperor's Children by Claire Messud
The History of Love by Nicole Krauss
Half of a Yellow Sun by Chimamanda Ngozi Adichie

Memoir Picks:
The Year of Magical Thinking by Joan Didion
Giving Up the Ghost by Hilary Mantel

Poetry Pick:
The Octopus and Other Poems by Jennica Harper

Anthology Pick:
Writing Life by Constance Rooke (ed)

Non-Fiction Pick:
The Creation: An Appeal to Save Life on Earth by E.O. Wilson

New to me only (but I loved them all the same):
The Remains of the Day by Kazuo Ishiguro
A Big Storm Knocked It Over by Laurie Colwin
Wonder When You'll Miss Me by Amanda Davis
Collected Stories by Grace Paley
Interpreter of Maladies by Jhumpa Lahiri

Our Favourite CD was "Let's Get Out of this Country" by Camera Obscura and we also liked "Sam's Town" by The Killers

Our Favourite movie was Little Miss Sunshine

Our Favourite Holiday destination was Prince Edward County.

It's been a very good year. And all the best for 2007!

Year of Great Fortune

My best of the year:
Book: We Need to Talk About Kevin by Lionel Shriver
Single: Jerk It Out by The Caesars
Magazine: Spacing
CD: I'm a Mountain by Sarah Harmer
Holiday Destinations: (tie) Miyajima and Brighton

In Numbers:
Weddings: 2
Residences: 4
Continents: 3
Visas: 6

This time last year: in Tokyo!

This time next year: right here, happily.